Adam Swayne, pianist & composer

Who or what inspired you to take up a career in music? As a teenager I was lucky to have Jeremy Carter as my piano teacher. I also revered the rock’n’roll pianism of Jerry Lee Lewis (and still do). Who or what were the most important influences on your musical life and career? I struggled…

Wim Henderickx, composer

I start from inspiration around a certain idea or sound performance, which I intuitively try to understand and write down. I let my ideas flow, often at the piano. Then I search for certain systems, rhythmic or melodic motifs, harmonies etc. that are present in this inspiration

Helen Grime, composer

Each commission has its own challenges, this may be linked to a brief. It often feels like you have to learn composing anew for each piece and that’s tough

Martin Gaughan, composer

the thing perhaps that links my compositional language is a sense of expressiveness, I feel a great need to express how I feel and think, as I am sure do all composers. I can’t, for example, work solely with serial techniques

Andrew Smith, composer

There are so many different kinds of success. I like to say that the biggest compliment a composer can receive is a good first performance. Knowing I have the motivation and desire to keep writing music means I’ve succeeded in making a good career choice. Or perhaps success is a word of appreciation after a performance, knowing that my music has made a connection.

Kenneth Fuchs, composer

With each of my works I hope to express a clear emotional idea and musical point of view. The optimistic vigor and stylistic influences of the 20th-century American symphonic school dominate most of my orchestral and concerto scores